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“Disglaç” is rooted in the foundations of “Faliscjis,” the first EP,
which gained recognition for its ability to reinterpret Scandinavian
Black Metal in a more intimate and territorial manner, also through
the use of the Friulian language and a unique sensitivity linked to
your land. Far from the clamor of the present, the album emerges as an
intimate and reserved work, but precisely for this reason pure and
uncontaminated.
The concept revolves around the complex yet unavoidable relationship
between man and nature. The long-awaited debut album Disglaç enters
the hungry world of modern metal scenes, resulting in a work that is
far from current trends, but equally necessary and fascinating in its
dissonance.
We must also mention the stunning artwork by Paolo Girardi, known for
his memorable covers for bands like Grima and Inquisition.
The album features dark music and a heavy epicness born from a dark
naturalistic romanticism—a music that, with penetrating force, will
firmly root itself in the listener’s heart. The ancient voice of the
land, the innate call of natural theophany, forms its universe.
A work that will delight fans of early Ulver, Drudkh, Agalloch…
